Saturday, June 27, 2009

k-on !

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K-ON !
studio : Kyoto Animation
director : Shoko Yamada
serial run : April 3, 2009 - June 26, 2009
total episodes : 13
score : ****


OVERHYPED IT MAY BE BUT HELL YEAH I'M LOVIN' IT :3

as i have wrote in my first impression entry for the series before, k-on ! bears a near resemblance to another kyoani series [ lucky star ] both in direction and storytelling concept, that however doesn't stop me into following this series given my affinity over the genre as well as my passion into music. the show had also helps [ a bit ] in introducing the general anime audience to a much broader details and knowledge in band and music making, enough to spark fan-searches over instruments featured throughout its entire run [ most apparently those of yui's and mio's ]; well even i would consider on getting a sunburst les paul [ though i am more of an ibanez person ] if i had enough cash to spare in times to come.

k-on ! essentially is a character driven series so its apparent lack of a strong, solid plot is highly forgiven. plot and story wise the series is pretty much easy to grasp and digest even by casual and non-anime crowds alike [ since watching over it won't cost you any serious brain-job ] for it has a very lighthearted / free-spirited and easy going mood / attitude going on around yet does not forget in throwing in some [ very little ] thoughtful moments at times, such as in the christmas and the final three episodes [ the extra which mirrors the idea seen from the proper final episode for the first season of suzumiya haruhi no yuutsu, the 'boring-winter-day' one ]. also the writer[s] has made it pretty much easy for the audience to assimilate and relate themselves wif the scenario by touching over several familiar aspects of the everyday school life, which i personally found as one of the many strength of both the series and the studio which produces it [ kyoani ].

the series had also made a number of use over several technical terms, techniques and details in music-making / playing which before this may only apply to the knowledge of us avid musical fan / practitioners such as palm muting, humbucker and vibrato just to name a few. there's also several pop / cultural references thrown into such as the mentioning of the great guitarists [ jeff beck / jimmy page / jimi hendrix ], obvious references to existing musical brands [ yamaha / korg / les paul ] as well as cameo instances by character[s] from detroit metal city [ if i am not mistaken, well i did saw a johannes krauser there ] and 'sadako', yet however i am quite surprised that kyoani's signature viral marketing practice haven't made its way to the series [ unlike lucky star ] though it could be fitted into this one as well [ why not ? it could help in emphasizing the slice-of-life aspect of the series ], perhaps by having a book [ or two ] of haruhi lying around in yui's room [ or most likely, mio's ].

the entire cast and characters featured were diverse and lovable, and like lucky star the interaction and bonding between these characters were among the many highlights which helps in providing a solid foundation for the series. also, there's plenty of favorite anime-archetypes used for the series, from a super klutzy airhead dojikko, a mild and motherly ojou-sama figure to the must haves- a caring imouto and elegant tsundere... everything is all packed up into this. +there's also mild yuri undertones lingering in between its episodes given the characters were all put into an all-girls school setting, and yea that's what had me greatly smiling throughout its broadcast run :3 much of the characters featured received substantial treatment in their growth and development progress, most apparently yui and my personal favorite, mugi as well as azusa; these can absolutely be seen from the extra episode which has just been aired recently.

on to the production i especially love the overall cameraworks / direction / cinematography [ whatever ] as how i always did wif several other releases by kyoani; the studio are undoubtedly one of the best in the industry and i am not ashamed to self-proclaim myself as a fanboy lol. although some haters may have lambasted the series [ perhaps because it went overhyped ] still k-on ! itself is the very embodiment of both quality and commercially-successful-strategy [ or whatever the actual term is ], with excellently-executed [ fluid ] animation, a nice range of background / insert music choice and one of the best character design in modern, post-2000 anime. the series in general has overwhelmingly pacified the fan in me and might as well strike greater success in merchandising [ the soundtrack and its accompanying character albums have gotten my interest all flared up for its expansive musical architecture, +i will as well be looking forward to the toys and figurines to be released later on ].

well the only thing that i am mildly disappointed at was that there wasn't much scene focusing on the band jamming together as a band, as how i've been expected since the first episode; even their stage-debut in episode six was cut away with pv [ music video ] - but upon my second thought however, that can be very much forgiven as it has brought upon another wonderful aesthetic once i sit down and give myself a thorough rewatch over everything. besides, the series pleasantly made up for this not-so-grave fault here with its strong emphasis over its characters, giving us much emotion felt from them enough to get us emotionally attached to these girls, which is why i were so extremely glad that i had this one series here listed into my all time fave anime list :3


Saturday, June 20, 2009

[ album ] blue man group : the complex



BLUE MAN GROUP
The Complex
Art Rock
Lava / Atlantic
*****

AWESOME PVC MUSIC GET-

as the [ album ] title implies, the complex is a complex art rock recording featuring vast array of avant garde instruments specifically 'invented' or discovered by the group's founders from materials such as stripped down piano [ piano smasher ] and pvc tubes / pipes [ tubulum / drumbone ] among many, with some of these peculiar instruments tend to produce distinctive futuristic sound much like conventional synthesizers did. and since the blue men were conceptually mute they had a number of select artistes performing vocals on their behalf; their music however is strong enough to stand by its own but the addition of vocal performances by select artistes such as dave matthews, tracy bonham, gavin rossdale [ of bush ] and venus hum [ to mention a few ] somehow completes the magic found inside of their music.

the music heard throughout this album borders between a mild dose of progressive rock music and the kind of music heard from [ avant garde ] theatrical art performances. it has a graphically [ persuasive ] percussive foundation layered with dark and / or futuristic soundscape produced from the aforementioned avant garde instruments overlying the general theme of self consciousness, naive imitation of cultural norms [ e.g. the recurring rock concert instruction manual ] and the climb to the top [ which is prominent through the album's art / booklet ]. +the songs may be rock in their basic architecture however there's a number of doors left open leading them to the possibility of steering into the new age music with very noticable industrial music edge [ kindly listen to the german new age / industrial act enigma for further insight over this subject ].

the most interesting part of the complex is how elastic its music is which is one of the many defining aspect for the art rock / avant garde music genre; here, the group fully pushes the boundaries of what they could achieve with conventional rock music, turning its inside out into something that breathes in an almost similar fashion as what the band tool have experimented / done with their magnificent 2001 release 'lateralus' [ among the best progressive art metal album ever released to date ] with the sole exception being that tool's music were much more spiritual and brooding in contextual approach.

now having heard the music featured in the complex i am somewhat intrigued upon having a peek on their live 'theatrical' performances, especially over songs which made use of the piano smasher and their extensive arsenal of pvc-born instruments.


TRACKLIST :
01. Above*
02. Time To Start*
03. Sing Along ( ft. Dave Matthews )*
04. Up To The Roof ( ft. Tracy Bonham )*
05. Your Attention*
06. Persona ( ft. Josh Haden )*
07. Piano Smasher*
08. White Rabbit ( ft. Esthero )*
09. The Current ( ft. Gavin Rossdale )*
10. Shadows Part 2 ( ft. Tracy Bonham and Rob Swift )*
11. What Is Rock ( ft. Arone Dyer and Peter Moore )*
12. The Complex ( ft. Peter Moore )
13. I Feel Love ( ft. Venus Hum )*
14. Exhibit 13
15. Mandelbrot 4*

[ * +ophanium's pick ]


[ single ] hokago tea time : fuwa fuwa time



HOKAGO TEA TIME
Fuwa Fuwa Time
Pop Rock
Pony Canyon
****

FLUFFY ROCK LOL WUT

musically this is a fun j-pop single and is much more vibrant and refined than the version heard from the anime though i especially misses yui's off-pitch vocals as heard from their debut live performance, +not to mention i have never expected to be listening to mio [ yoko hikasa ] doing a rap, with the latter parts of it closely reminding me of kagamin's tsundere-ish chara song 'kenka yohou no jikan dayo'.

yoko hikasa's vocal works is pleasantly good and has a certain sex appeal to it as i kept on having pop ups of mio in my head every time i listen to the title track while aki toyosaka's vocals on the other hand is moeliciously cute for she had it done in the exact same way she did for her chara yui in the series.

both songs featured on the single has a very good vibe contained within them as with most other rock-based anime insert songs [ notably sorairo days by shouko nakagawa ] with the chemistry of the 'band' were being greatly pushed forward / highlighted throughout much thanks to the tight performance by them session musicians; you can pretty much experience this by listening to the instrumental version of both songs where the details were made more apparent to be closely observed.

kay now i'm in for 'my love is a stapler' next :3 come, bring it on-


TRACKLIST :
01. Fuwa Fuwa Time*
02. Tsubasa o Kudasai*
03. Fuwa Fuwa Time ( Instrumental )*
04. Tsubasa o Kudasai ( Instrumental )*
05. Fuwa Fuwa Time ( Instrumental - Guitar )
06. Fuwa Fuwa Time ( Instrumental - Keyboard )
07. Fuwa Fuwa Time ( Instrumental - Bass )
08. Fuwa Fuwa Time ( Instrumental - Drums )

[ * +ophanium's pick ]


Friday, June 19, 2009

[ fig ] tsukasa hiiragi : lucky star

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another latest release by freeing for their 'lucky star p.e. get' series, and this time it's the blobtastic moelicious tsukasa hiiragi's turn to step onto the stage. as with konakona and her twin sister kagamin, two of which was unveiled / announced months earlier, her entire attire is made of authentic cloth so to give out some sort of realism to this statue figure.

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can't wait to see a miyuki next. miyuki + p.e. get up = win.


[ fig ] fate t. harlaown : mahou shoujo lyrical nanoha strikers

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included among the latest release by good smile company is a bikini-get of fate-mama that fully complements the bikini-get of nanoha-mama unveiled much earlier, and as seen from the product shots provided, fate is sculpted off the cover / poster once released by a magazine [ i forgot which mag it was from, megami perhaps ? ] set in what i call 'the perfect pose' that greatly highlights her ever wonderful figure. and behold !, the overall detail is simply magnificent as i have always been expecting from good smile company.


[ fig ] nanoha takamachi : mahou shoujo lyrical nanoha strikers



starlight breaker anyone ? if yes, then ye peeps should rejoice over the revelation of this shooting mode nanoha statue figure by alter. armed with raising heart in its winning excelion mode [ +the inclusion of 4 drone-thingies... sorry but i tend to forget the name of things over time ] this nanoha-get is ready to shoot you away with its two thumbs up craftmanship.


[ fig ] saber lily : fate / unlimited codes



oh god- here's another must have of the month - alter's take on saber lily from fate / unlimited codes. as i have mentioned in one of my posts before, i greatly love the design for this alternate saber and there's no other reason for me to consider on putting this one into my wishlist. and besides, alter is very much well known for their high-profiled sculpt work and the same can be seen from this saber lily get, most prominently from how they play wif her skirts; and that alone had my jaws gaping open wide enough to swallow the entire keyboard lol.


Wednesday, June 3, 2009

[ fig ] kagami hiiragi [ p.e. get ] : lucky star

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once we had a konata and now it is kagamin's turn to be immortalised in her p.e. outfit [ which is nicely made of fabric like konata's ]. overall it looks nice and well designed / sculpted like many other freeing's releases did but still i must say that i find her facial detail to be a lil bit funny [ funny as in 'a bit weird' ], but that won't be stopping me from considering for the real deal when my budget is right.

i'll be looking forward for a tsukasa [ and miyuki ] next, and if any of these two [ most likely tsukasa ] turns out to be much better perhaps i might root for them over kagamin :3


Monday, June 1, 2009

[ cosplay ] sue : mio akiyama

SueMio-1

SueMio-2

SueMio-3

SueMio-4

SueMio-5

layer : Sue
character : Mio Akiyama
series : K-On !
score : *****

finally, a k-on ! cosplay which appeals much to my taste and preference, though i'd be more glad and happy if i get to have some nice mugi and azusa as well. anyway, the featured layer above is sue and truthfully speaking i wasn't much into her stuff before, not until she turns up with this mio-get that soon got me into checking her other cosplay stuff as well. quite an eye opener if i must say myself.

interestingly sue manages to score an almost perfect hit with her take on the gosurori mio, the likeness point is noticably high as she uncannily resembles how mio would look like irl, though she may look a bit too loli to become a mio :3 +a perfect score of ten for her nicely well done costume altogether wif the pose she did in the first pic. as wif ibara, arisa mizuhara and himeno shirayuki, nowadays sue often came up wif a line of praisingly good costumes for her most recent cosplay [ her ranka lee and flower girl cosplays for example ] though she didn't get to score much attention from me wif her earlier ones back then.

[ all images are property of mpzero ]


[ cosplay ] mari katou : mikuru asahina

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layer : Mari Katou
character : Mikuru Asahina
series : Suzumiya Haruhi no Yuutsu
score : *****

best mikuru cosplay from mari katou, simple yet appetizing even she had won this one over arisa's if i were to judge the mikuru cosplay done by the two so far. with little facial make ups applied and the right wig [ or was it her actual hair ? ] combination she looks brilliantly identical to the original mikuru. +i am also somewhat interested in seeing how far she could get with either two of mikuru's maid costumes donned in the series, preferably the one mikuru had while serving tea in the clubroom; perhaps she might look as good as her anna kurauchi's get yay do wanna see it :9

as far as i am concerned mari katou fits in really well with most moe charas such as mikuru given her looks and built, and often did she look a bit out of place if she were to be cosplaying characters such as haruhi suzumiya and hina-ichigo [ of the rozenmaiden series ] thus somewhat limiting [ but not entirely ] her repertoire outside of the moe template.

[ all images property of mpzero ]


[ dojin ] lovery summer girls !

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[ click on these links to download the : raw japanese version | scanlated english version ]

LOVERY SUMMER GIRLS !
circle : UsaUsa
derivative work : To Love-Ru
release : 2008
volumes : 1
score : ****

s'up. first of all i would like to thank my dear fren shin for reminding me of this dojin, if not i might still be in the dark of its existence... and being a self-proclaimed fan of both yui and riko i might regard such ignorance as the greatest blasphemy of all. so kudos to him once again :3

on to the book, lovery summer girls ! is a hybrid to love-ru dojin for it contain both yuri and straight get in a single book, and as the cover suggested there is only riko / rito and yui [ among the tora pairings which i fancy the most ] throughout the entire course of the book.

art wise the character design seen in this dojin is pretty much well done up to my taste and preference for a dojin, and it is best for me to assume that this could be among the best yui related dojin i have come to read so far. in fact the circle managed to incorporate much of yabuki-sensei's feel into theirs that i didn't find the art to be greatly awkward like ero iiha seigi was.

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the story begin as our greatest trap riko took a ride on a train where she got *cough*molested*cough* while she weren't able to retaliate nor do anything about it. later on she met up with yui who then saw something she shouldn't have to, and the two ends up engaged in a nice yuri get >///>. as the yuriness went further riko suddenly revolted back to rito and things went on the straight course soon after, and rito surely is one helluva lucky b-tard that i would like to stab many times the most.

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though myself am entirely illiterate in reading japanese still it isn't that difficult for me to catch up wif the story as the circle have made quite a good job in presenting the story so that it could still be accessible even if all the words were to be omitted from the art.

overall this is a good dojin [ both yuri and straight get of it ] and personally i would like to recommend any tora fans out there to pick this one up and have it placed into yer prized collection if ye haven't done so yet.


[ h-manga ] doki doki kimodameshi

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[ click here to download ]

DOKI DOKI KIMODAMESHI
mangaka : Inuboshi
book : ?
release : ?
chapter : 1 of 1
score : ****

another nice loli manga by inuboshi-sensei with english translation done by anon of spain up for share wif ye folks here. just for the note, inuboshi-sensei is among the best artist in the loli manga business whom i often lurk for his / her works given the neat and lovely art and story as well as the highly excessive amount of cuteness seen from his / her character design. +i wish to read more of inuboshi-sensei's work since i only got less than a dozen of his / her work in keep.

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doki doki kimodameshi follows the story of an elementary schooler named shouta saito [ ? ] who has a standing crush over this quiet girl of his class named aya okada. at the beginning of the story he is invited by his friends to participate in a test of courage alongside a few girls from his class including aya-chan. though reluctant at first he then accepted their invitation upon learning that aya as well will be joining the party. well despite being a boy saito is one helluva scaredy cat and is often the one being calmed down by the otherwise calm and collected aya.

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like his / her many other works inuboshi-sensei plays around nicely with the story, and though this is a work of h still the artist didn't neglect in giving much attention and detail to the story and them characters contained within it. ecchi it may be but fun and sweet it is indeed. i also came to enjoy aya's character especially in page six; instead of concerning herself over ghosts she's being much more realistic by mentioning her worries over some bad guys probably be lurking within the derelict building they were both in.


[ album ] sarah brightman : symphony



SARAH BRIGHTMAN
Symphony
Classical Crossover / Opera / Symphonic Rock
Manhattan Records
****

SARAH BRIGHTMAN GOES NIGHTWISH = INSTANT OVERKILL.

stepping off the lavishly exotic middle eastern taste she had for harem, symphony open strong with the magnificent pair of gothica and fleurs du mal, both being her latest attempt at the realm of gothic music and metal-flavored arrangements; fleurs du mal alone gave much of an epic welcoming to the album with its ornate majestic vibe so much that i keeps on repeating the track over and over again. eventhough the metalness does not persist through the entire album still the impact from the album's grandeur opening is more than enough to overshadow the magic heard from nightwish's amaranth which is one of the greatest symphonic metal song ever written as of present.

the title track otherwise is a beautifully arranged classical ballad with very uplifting chorus and warm, romantic atmosphere in reminiscent of her earlier works, and if you were in search for a befitting song to be played in the audience of your loved one[s] then i greatly believe that this is among the best track for you to consider upon. moving on, track no 8 [ sarai qui ] is among my favorite highlight of the album featuring a duet with alessandro safina, a divinely romantic italian ballad with great operatic feel that will generously transfer your consciousness away for as long as the song is in play while the eleventh track, attesa features a prominent display of her distinctive heavenly soprano sung to one helluva symphonic arrangement if i must say.

the final entry [ running ] briefly returns to the symphonic rock taste heard from fleurs du mal although the rock taste is very, very brief. its opening is among the best the album has to offer with a grandiose, epicly proportioned symphonic entry before the song later progresses into a much more contemporary twist like those heard from the progressive rock music. it is also interesting to note that running were also built upon the same 'two thumbs up and a standing ovation' foundation heard from the grand opening fleurs du mal, and so if you had the song skipped before waiting it to enter the catchy rock part then you are surely in for the greatest waste of your [ musical ] life. there is also a hidden outro track a few seconds after the end of running which revisits the arrangement heard from fleurs du mal, minus the metal part that is.

the greatest highlight of the album is that you get to experience listening to the legendary andrea bocelli singing to rock / metal composition [ the romantic track number four, canto della terra ] which is an extremely rare event by itself; do take note that this very chance does not come to you very often and so it is best for you to grab the album and give a listen to the said song for yerself :3 also, the album is twice more symphonic than most of her other records so far and probably is among her most accessible [ to new / non-fans especially ] release to date.


TRACKLIST :
01. Gothica*
02. Fleurs du Mal*
03. Symphony*
04. Canto Della Terra ( ft. Andrea Bocelli )*
05. Sanvean*
06. I Will Be With You ( Where The Lost Ones Go ) ( ft. Paul Stanley )*
07. Schwere Traeume
08. Sarai Qui ( ft. Alessandro Safina )*
09. Storia d'Amore
10. Let It Rain*
11. Attesa*
12. Pasion ( ft. Fernando Lima )*
13. Running*

[ *+ophanium's pick ]


[ album ] alice in chains : mtv unplugged



ALICE IN CHAINS
MTV Unplugged
Grunge / Acoustic Rock
Sony Music
****1/2

R.I.P. LAYNE STALEY. GRUNGE WILL NEVER BE THE SAME WIFOUT YE.

truth to be told, alice in chains was the number one ranking grunge band in my list and will forever be at the peak of the list regardless of age and time. it is a great pity however that mr. staley is already gone and so any hope of reviving this helluva fold is probably lost with him to his grave.

alice in chains' mtv unplugged session to me is a breathtaking pleasure trip, perhaps is more so than nirvana and pearl jam did wif theirs. the mood within this recording is pretty high and magnificent, and i seriously have no doubt in their capability of securing such a wonderful acoustic experience given the critically acclaimed efforts of their previous releases; namely the e.p. jar of flies which itself is a great body of [ grunge ] work from my personal point of view that is.

listening to the live acoustic recording alone may not be as awesome as watching the taped live performance on video, but having to taste none from this session is more than a complete loss when compared to the first; that is what i thought at first when i first lost the disc which contained the video recording of the show but after obtaining a copy of the audio cassette i was so darn glad that i still have a mean to enjoy the fold and their [ awesome ] live acoustic-get [ the vcd / dvd is no longer available on the stores i frequent to sigh- ] on my sober nights.

performance wise all four members were at their best in delivering their respective parts for the entire duration of the show; jerry cantrell as usual were never fail to amaze me wif his wonderful guitar job while providing secondary vocals alongside the main man layne staley; the combination of both vocalists delivered the ever distinctive harmonic signature the band had in its reputation, mike inez being the 'two thumbs up' bassist he always were and he even throw in a quick take on metallica's enter sandman as a joke before hitting on the track 'sludge factory' while sean kinney provides a downtuned but refined performance of his usual intricative drum works for the unplugged performance, well you'll get to know how good they were if you get to watch the video take instead [ go youtube, that's if there's any there ], +wif all the candles giving up the right mood for the entire venue oh my that is so wonderful i'd kill myself just to be there :3


TRACKLIST :
01. Nutshell*
02. Brother*
03. No Excuses*
04. Sludge Factory
05. Down In A Hole*
06. Angry Chair*
07. Rooster*
08. Got Me Wrong*
09. Heaven Beside You*
10. Would ?*
11. Frogs
12. Over Now*
13. Killer Is Me

[ * +ophanium's pick ]


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